Giury
Roberto Escobar
He teaches political philosophy and analysis of political language at the University of Milan and collaborates with L'Espresso as a film critic after having worked for 26 years with Il Sole 24 Ore, on whose pages still writes. For the same newspaper he edited under the pseudonym Als Ob a column of television criticism. In 2001 he was awarded the Ennio Flaiano for film criticism. (source: wikipedia.it)
Roberto Andò
Roberto Andò (Palermo, 1959), cinema and theatre director, screenwriter and writer. He makes his debut as theatre director in 1986, with a play made out from an unpublished text by Italo Calvino “La foresta- radice-labirinto”. In 1995 he shows his first feature film to the Cinema Exhibition in Venice “Diario senza date”. Whit Giuseppe Tornatore, write “Il manoscritto del principe”.The film was awarded with the Silver Ribbon for production, the Fellini Prize and the Sergio Leone Prize for the direction and it gained the nomination for the direction to the David of Donatello Prizes. His activity in the world of cinema alternates with opera and theatre directions, as those made in collaboration with Moni Ovadia and those dedicated to the work of the Nobel prize Harold Pinter with whom he becomes a very good friend. Together with him, they performed “La stanza, Anniversario” and “Vecchi Tempi”, and the film “Ritratto di Harold Pinter” (1998). For the experimental centre of cinematography on 2004 he makes a documentary film about Francesco Rosi “Il Cineasta e il labirinto”.
Giordano Lupi
He wrote works dedicated to the characters of our cultural landscape as Federico Fellini, Joe D'Amato, Lucio Fulci, Ruggero Deodato, Tinto Brass, Enzo G. Castellari, as well as stars and divas such as Tomas Milian, Gloria Guida and Edwige Fenech. He is writing a history of Italian horror cinema, in press. By his tales Little Red Riding Hood and The priest, the director Stefano Puglia Simone drew the feature films "Red Riding Hood" and "Unfacebook."
Fabio Canessa
(Piombino, 1962), teaches Italian and Latin in high school Giosue Carducci of Piombino. Film critic "militant, halfway between page and screen." He writes about film and literature in various newspapers. Organizer and coordinator of training courses for secondary school teachers, has supported many activities in film clubs and libraries. He has appeared on television Vittorio Sgarbi and Renzo Arbore (hence the definition of "critical Arbore" attributed by some). For editions Aktis, edited texts of Joseph Roth, Ludwig Winder, Paul Leppin, Tweety Albenzio and Osorio Lizarazo. Most recently, he edited the literary part of the Turin exhibition of "Evil" and has written about football and philosophy on the number of "White Line". (source: zam.it)
